Each of the physical formats will come with a nearly-blank cover and a pack of stickers for fans to design their own album cover.
Drawing as much from the angular guitar-driven sounds of their debut as it does from the finest in modern rock today, ‘Contact High’ is raising the bar for the decade ahead. Celebrating the song’s potent delivery and unashamed lyrical sentiment, Murray concludes… “it’s just nice to have a song that’s unapologetically sappy, but couched in distorted guitar and metaphors of coincidental intoxication.”
With this single the New Yorkers finally announce the new record, Huffy, which follows 2018’s Megaplex and the enormously successful “50th anniversary” reissue of With Love And Squalor. The anticipated album is already shaping up to be one of the band’s most hit-tastic albums to date with the inclusion of recently acclaimed bangers ‘I Cut My Own Hair’ and ‘Fault Lines’ alongside today’s new single ‘Contact High’.
Huffy’s fresh music is accompanied by an oh-so-fresh presentation: multi-panelled vinyl and CD packaging offer a blank wall on which listeners can unfold their own unreasonable vision for the Huffy universe. Each includes sticker sheets with over 20 full colour graffiti designed by Keith, Chris, and friends, deployable according to the user’s whim. Tilting reality even further into the hallucinatory gyre, this vinyl comes on a Keylime Green colour exclusive to recordstore. (The cassette will be manufactured in yellow, and has exclusive content on Side B, giving hard plastic-enthusiasts something to crow about.)
On Huffy’s mosaic form, Chris says, “Usually people bring a vinyl record home, rip it to their iPods, and throw it straight into the fire. Well, not with Huffy. We’re giving our listeners a reason to keep this one around, and even to consider passing it down to future generations, if they’re super-happy with where they put all the stickers.”
With ‘Contact High’ out today and Huffy on the way, We Are Scientists are holding nothing back (besides the album until its strict 8th October release date) and are sure to deliver a welcome shot in the arm for deprived indie disco dancers everywhere.
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